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country: Israel. Brief: Advocate is a movie starring Hanan Ashrawi, Tareq Barghout, and Avigdor Feldman. A look at the life and work of Jewish-Israeli lawyer Lea Tsemel who has represented political prisoners for nearly 50 years. Duration: 114 Min. Philippe Bellaiche. release date: 2019. Actor: Hanan Ashrawi, Benjamin Netanyahu. Advokat i israel tv. Movies, ‘Advocate Review: Defending More Than Just Her Clients A portrait of an Israeli lawyer who takes on difficult cases involving Palestinian clients. Credit. Film Movement Advocate Directed by Philippe Bellaiche, Rachel Leah Jones Documentary 1h 48m More Information The lawyer Lea Tsemel is a contentious figure in Israel. She is known for representing Palestinian defendants, especially in cases in which Israeli sentiment appears starkly stacked against her, such as those that involve violent attacks. Depending on your perspective, Tsemel is either a principled believer in the concept of presumed innocence or an apologist for bloodshed. To judge from “Advocate, ” an engrossing, largely pro-Tsemel profile from Rachel Leah Jones and Philippe Bellaïche, the truth may be a little of each. Tsemels choice of clients undoubtedly has ideological underpinnings. She explains how she thinks about her work: “Im an Israeli occupier, no matter what I do, ” Tsemel says. And as an occupier who has not succeeded in changing the governments policies, she adds, “On what moral grounds should I judge the people who resist my occupation? ” Her daughter, Talila Warschawski, is asked if her mother has red lines. “I dont think so, ” she replies. At the same time, Tsemel has a lawyerly interest in the gray areas of guilt. The highest-profile recent case in “Advocate” involves Tsemels defense of Ahmad Manasra, who at age 13 was involved in an October 2015 stabbing attack in East Jerusalem. Tsemel maintained that only Manasras cousin, Hassan, who was fatally shot by police during the incident, carried out the stabbings, and that Ahmad did not use the knife he had. Jones and Bellaïche follow that case as it unfolds, interweaving biographical information about Tsemel and a rundown of some of her most notable cases. Many trials are not success stories for her. Near the end, Tsemel tells the news media, seemingly humorously, that her title should be “Lea Tsemel, losing lawyer. ” Her victories tend to be small: In an opening segment, she explains to a client that the 28-year prison sentence in a plea bargain could have been much worse. But Tsemel is also seen as a firebrand. She and Tareq Barghout, a Palestinian lawyer who works with her on the Manasra case (and, after filming, became her client) are at times shown at odds. Because of Manasras age, the trial was not public, but “Advocate” — which was shot in wide-screen (unusual for a documentary) and shows a refreshing interest in visuals — never plays like it is at a loss for footage. It also makes dynamic use of animation and split screen to obscure certain identities. Provocative as the film is, it doesnt fully reconcile Tsemels contradictions, if such a thing were even possible or desirable. On the one hand, Tsemel is fighting for her clients to get fair trials in a legal system that she sees as rigged against them. She looks for precedents in which Israelis received more lenient treatment than her clients in similar circumstances. On the other hand, if Tsemels starting point is that Israelis are occupiers and have no right to judge Palestinian resistance (and Tsemel generally seems to regard the allegations we watch her defend against as that) then what would a fair trial — a form of judgment — even look like? “Advocate” only begins to broach that question. Avigdor Feldman, a civil rights lawyer who worked with Tsemel on a major case involving interrogation methods, says that Tsemel truly believes that trials can be balanced. Still, an even stronger documentary might have probed whether her idealism and political convictions ever come into conflict. The movie might also have further strayed from friendly ground in its choice of interviewees. But “Advocate” nevertheless makes for potent viewing as a portrait of a steadfast activist with a controversial cause. Advocate Not rated. In Hebrew, Arabic and English, with English subtitles. Running time: 1 hour 48 minutes.

Lea Tsemel has been called a rebel with a lost cause and a whole lot worse. But as the intimate, powerful “Advocate” demonstrates, she lives up to the films title in the purest sense of the word: She stands up for people. Its who she stands up for that causes all the controversy. As a Jewish Israeli attorney who has tirelessly defended Palestinians who have turned to violence, Tsemel is a legitimate force of nature, and this examination of her and her career is potent enough to be shortlisted for this years documentary feature Oscar. Expertly directed by Rachel Leah Jones and Philippe Bellaïche, “Advocate” examines Tsemel from numerous perspectives, delving into her history, her family and the way she operates day to day. Radicalized by the aftermath of 1967s Six Day War, Tsemel has been known for decades as the attorney not afraid to take on the really difficult cases. “Its not that I like to, ” she explains. “Im not afraid to. ” More than that, no matter what the crime in question, Tsemels attitude is “I always see the person behind the case, ” being both caring and concerned with the accused and their extended families. And, as witnessed in a 1998 TV interview, Tsemel has long taken the measure of the still-unresolved Israeli-Palestinian situation. “You should try to understand me, ” she tells a disbelieving TV host. “I am the future. These will be issues for many years to come. ” Among the people Tsemel has defended, it turns out, is her husband, writer and activist Michael Warshawski, whom she did not cut any slack. Intent on toughening him up during his imprisonment, she responded to his complaining by telling her spouse, “You are not worthy of being my husband, ” a moment that had the desired effect. Tsemel had some success defending Warshawski, and also was part of the legal team that won a landmark 1999 case when the Israeli Supreme Court banned violence in interrogations. Mostly, though, as Tsemel is the first to admit, “We always lose, ” and if “Advocate” does nothing else it underlines the ways the Israeli judicial system makes things difficult for Palestinian defendants. “The fear is great on the part of the judges, ” Tsemel explains. “Security is the dragon that stands guard. ” A commitment as fierce as this has an inevitable impact on Tsemels family. While her daughter Talila enjoys the fact that her mothers name is “like a magic spell that will save us, ” it was different for her son Nissan. Nissan had difficulty adjusting to the fact that his mothers commitment to her clients often came ahead of her commitment to the family, recalling the moment she told him, “I cant do anything else. I believe in it. ” The most gripping parts of “Advocate” are the films fly-on-the-wall cinéma vérité sequences of Tsemel at work, meeting with clients families, navigating the legal system and conferring about cases with fellow attorneys and her staff. Tsemels cases are invariably tough ones, and among the defendants we watch her deal with are a man who stabbed an Israeli bus driver and 11 other individuals, and a woman depicted as a would-be suicide bomber who may have just been suicidal. The most heart-rending case, and the one we follow from start to finish, is the story of Ahmad, a 13-year-old who chased people with a large, ornamental knife with the intention of scaring them but ended up being charged with attempted murder. Among the quandaries Tsemel has to deal with is whether to plead Ahmad guilty to the attempted murder charge she knows is a fiction before the boy turns 14, in an attempt to get him a lighter sentence. Perhaps the most remarkable thing about Tsemel is that, despite decades of cases not turning out the way she thinks they should, she is unbowed. “Im a very angry optimistic woman, ” she says at one point, and what we see in this compelling film bears her out. 'Advocate' In Hebrew, Arabic and English with English subtitles. Not rated Running time: 1 hour, 54 minutes Playing: Starts Jan. 3, Laemmle Royal, West Los Angeles.

Phaa. Semma Semma Semma Ya 🤩🔥! Feature Film paakura maathriye MASS ah irunthuchu 😎👌! Kalakkunga Ponga 💯. Ted Cruz (congressman you show with the beard writing stuff down) actually has advocated for term limits and lobbying. I agree 1000% with this. Advokat i israel lyrics. Should know Is the best phrase of someone being patronizing. What does the Data say. Advocate israel confirmation civil rights. The thought-provoking Israeli documentary “Advocate, ” from the directors Rachel Leah Jones and Philippe Bellaïche, opens with its subject, the human-rights lawyer Lea Tsemel, making her way resolutely toward the elevators at the district court in Tel Aviv. A short and solidly built woman in her seventies, with a mop of dark hair and kohl-rimmed eyes, Tsemel is on her way to the courthouses detention cells to meet with a client. “Is it going down? ” she asks as she approaches the elevators nearly closed doors, before sticking her leg between them and muscling her way in. “Lea, what will become of you? When will you mend your ways? ” a man inside the elevator asks her. “Who, me? Im a lost cause, ” she answers. The exchange is joshing, but Tsemel, an Israeli Jew who has been practicing human-rights law since 1972, is a controversial figure in her country—one whose determination to thrust a tenacious leg forward and crack open the doors of the uniform Zionist narrative has often been met with her compatriots deep anger. In her first trial, she defended members of the Arab-Jewish cell Red Front. Their leader, Udi Adiv, a politically radicalized former I. D. F. paratrooper, was charged with treason for delivering classified information to Syria. (Adiv claimed that he was attempting to work toward the liberation of the Palestinian people. Over the past four-and-a-half decades, Tsemel has focussed her practice on defending Palestinians who, as she explains in a TV interview from the nineties that is included in the documentary, “you call terrorists, but that the average person in the world would call freedom fighters. ” Tsemel, as her daughter Talila says in the film, has no red lines. She is an agitator by nature, who seems to feed off her inherently oppositional role in Israeli society. She has served as a lawyer for all manner of Palestinian defendants, including violent offenders, such as stabbers and suicide bombers. (The client that she is en route to meet with at the beginning of “Advocate, ” for instance, is a young man who was accused of stabbing an Israeli bus driver and eleven of his passengers. She was also a member of the team that, in 1999, appealed to the Israeli Supreme Court to achieve a banner ruling that made it illegal for the countrys secret service to use torture in interrogations. As an Israeli occupier who enjoys the fruits of the occupation, Tsemel explains, she has no right to tell Palestinians how to struggle against their oppressive circumstances, even if their acts include premeditated bloodshed. “If the act is intended to resist the occupation as such, Ill take it on, ” she says. “Advocate, ” which has recently been short-listed for the Academy Award for Best Documentary Feature, and is showing this week in theatres in New York and Los Angeles, presents archival materials and interviews with Tsemel and her family members and associates. It also follows a case in which the lawyer defends Ahmad, a thirteen-year-old boy from the Palestinian village Beit Hanina, in East Jerusalem. He has been accused of attempting to stab to death two Israeli civilians—one of them himself a thirteen-year-old boy—in the Jewish neighborhood of Pisgat Zeev. The actual stabbing was carried out by Ahmads fifteen-year-old cousin, Hassan, who was shot to death by Israeli forces—DNA samples revealed that the knife Ahmad was carrying was never actually used—but the prosecution argues that Admads intent was to commit murder. Tsemel is a first-generation Israeli, whose Zionist parents fled the Holocaust and settled in the city of Haifa. She was a law student at the Hebrew University of Jerusalem in 1967, at the time of the Six-Day War, and, in the aftermath of the conflict, her sympathies turned to the radical left. In the documentary, she describes realizing that Israels possession of its occupied territories was leading to a human-rights crisis, with refugees being compelled to flee their homes (she says that they looked to her like figures of the wandering Jew) and Palestinians civil rights curtailed under Israeli rule. She decided to join Matspen, a socialist, anti-Zionist far-left group, where she also met her husband, the fellow-activist Michel Warschawski. From that moment on, she says, “I never looked back. ” As both a portrait of an exceptional character and something of a legal procedural, “Advocate” is a fascinating watch. It is also, unsurprisingly, a grim one. As we follow Tsemel in her defense of Ahmad, from remand to sentencing, we see just how far her path departs from public sentiment. In footage from the crime scene in Pisgat Zeev, an injured Ahmad, who was hit by a car in his flight, is seen bleeding on the ground as a raging crowd cries for his blood. “Die, you motherfucker, ” one shouts. “Die, you son of a bitch. ” “Murder him! ” another yells. Even under duress, Ahmad continues to claim that he had no intention of harming anyone, and that the knife he carried was simply meant to scare Israelis. (In a clip, we see an interrogator screaming at him to admit his guilt, which he refuses to do, in the high-pitched cry of a boy. Tsemel rejects a plea deal that would send Ahmad to a juvenile facility, rather than to prison, but that would require him to admit his intent was to murder, and, instead, decides to go to trial, which, in her idealism, she hopes will be uncolored by political motives. Of course, what some see as idealism, many see as tantamount to treason, and in Israel one need not be as politically radical as Tsemel to have some experience of this. I grew up in Israel in the eighties and nineties, in a leftist home, and recall with depressing clarity how quickly one could be accused of being an “Arab lover” or a “traitor” for expressing anti-occupation opinions. On two occasions, for example, my parents car window was shattered—once because it was adorned with a sticker advocating for pulling out of Lebanon during the Israeli-Lebanon war, another time because it bore one supporting the left-wing activist group Peace Now. I was proud of my parents political beliefs, but also, with a childs desire to blend in, simultaneously mortified. As a tween, I hoped that my classmates wouldnt notice those stickers when I was dropped off at school or at birthday parties. These minor events pale in comparison to those presented in “Advocate. ” Nissan Warschawski, Tsemels son, speaks about the shame and fear he felt due to his parents political activities. He recalls walking down the street as a child with his mother and having a man threaten them with a gun. When he asked her why she couldnt choose a profession that wouldnt put her family so far outside the status quo as to imperil it, she responded, “I cant do anything else. I believe in it. ” There is a wildly admirable, if almost reckless, courage in her total conviction. “Ive been called every name in the book: A traitor, a leftist, a devils advocate, ” Tsemel says in the nineties TV clip. “I always took it as a compliment. ” The release of “Advocate” in Israel was itself controversial. After winning the top award at the Docaviv film festival, in Tel Aviv, last May, the documentary received a purse from the Israeli lottery to mount an Oscars campaign. Subsequently, the right-wing Minister of Culture, Miri Regev, called the film “ outrageous and deserving of condemnation, ” and the lottery announced that it would no longer give the grant to Docaviv winners. Thanks to pressure from the Israeli artistic community, the grant was reinstated, but with the money going to the festival itself instead of the winning film. Still, Regev continues to call for the cancellation of screenings.

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PHILIPPE BELLAÏCHE, RACHEL LEAH JONES, Canada, Israel, Switzerland, Arabic, 2019, 108 MIN This riveting, multilayered documentary follows Israeli lawyer Lea Tsemel, who has spent nearly 50 years advocating for the rights of Palestinian defendants. Since the early 1970s, attorney Lea Tsemel has gained a reputation as one of the most polarizing figures in Israel due to her tireless work on the behalf of Palestinian defendants. Tsemel has dedicated her career to extending compassion to her clients in the face of what she views as a fundamentally unjust court system, and in Advocate, filmmakers Philippe Bellaiche and Rachel Leah Jones follow the indefatigable lawyer as she works on two of the most difficult cases of her career: a young woman disfigured by a failed car bombing and a 13-year-old boy charged with attempting to kill Israelis in a stabbing spree. Employing an inventive mix of live action and animation, the filmmakers interweave this compelling real-life courtroom drama with significant episodes from Tsemels past, from her politically-ambivalent beginnings as a young soldier, to her leftist awakening as a member of the activist group Matzpen, to the many high-profile, controversial cases that have shaped her career. Advocate doesnt attempt to glaze over the complexities of the ongoing Israeli-Palestinian conflict, but Tsemels eternal optimism in the face of dispiriting odds is truly inspirational. In Competition: Documentary Feature Award PFS ON US is a free ticketing initiative that makes our programming available to all. Free tickets are available to all films in the Made in USA and Non/Fiction sections of the Festival. Seating is first-come, first-served. Reservations do not guarantee admission. Admission is not guaranteed after scheduled start time. CLICK HERE to return to the complete 28th Philadelphia Film Festival schedule.

Advokat i israel. The Advocate In medieval France, young lawyer Richard Courtois leaves Paris for the simpler life in the country. However, he is soon drawn into amorous and political intrigues. At the same time, he is pushed to defend a pig, owned by the mysterious gypsy Samira. The pig has been arrested for the murder of a young boy. Genres: Crime, Drama, History, Mystery Actor: Colin Firth, Ian Holm, Donald Pleasence, Amina Annabi, Nicol Williamson, Michael Gough, Harriet Walter, Jim Carter, Lysette Anthony, Sophie Dix, Vincent Grass, Elizabeth Spriggs, Raoul Delfosse, Justin Chadwick, Jean-Pierre Stewart Director: Leslie Megahey Country: France, UK Duration: 102 min Quality: SD Release: 1993 6. 8. 16th trending. Advokat i israel 2016.

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Advokat israel. Best TED talk that I´ve watched till now. Advokat i israel movie. 11.30 what is the music there. Advokat i israélien. 2019-06-03 00:00:00 Duration: 144 min Quality: HD IMDb: 7. 5/10 Release: 1997 View: 376 Storyline: Kevin Lomax, a ruthless young Florida attorney that never lost a case, is recruited by the most powerful law firm in the world. In spite of his mothers disagreement, which compares New York City to Babylon, he accepts the offer and the money that comes along. But soon, his wife starts feeling homesick as she witnesses devilish apparitions. However, Kevin is sinking in his new cases and pays less and less attention to his wife. His boss and mentor, John Milton, seems to always know how to overcome every problem and that just freaks Kevin right off. Written by Steve Richer. email protected. User Reviews: The reviews for "The Devils Advocate" were not too kind, to say the least. But what did the critics refuse to see in this? With movies nowadays being nothing but flashy, over-the-top, masturbatory, CG-fests, The Devils Advocate" holds up like osmium.



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